The introduction of Section 28 in the 1980s, which sought to ban the “promotion” of homosexuality, ignited a moral panic that feels almost unbelievable to those who didn't live through it. For those of us who did, it was a frightening reality, one that is brought to life once more in ‘After The Act.’
‘After The Act’ is based on verbatim accounts from individuals in the queer community who lived through Section 28, this authenticity makes it all the more impactful.
With such an emotive subject, tonally it is difficult to get right. However, it perfectly balances humour with the more hard hitting moments effortlessly. The only moment where this falters is in a satirical scene featuring Margaret Thatcher at the start of the second act, which feels too uncomfortable to be comedy.
The show features a cast of four, each playing multiple roles across different genders, in a way that in no way feels gimmicky and lands brilliantly. This is a clever nod to the messages of equality that run through the show in terms of both gender and trans rights challenges that still exist. Whilst every of the ensemble are faultless, it’s Ericka Posadas who steals the show, it is impossible to take your eyes off her. The actors are joined by Frew, who provides live music from the side of the stage, adding a vibrant energy that elevates the atmosphere.
Having premiered at the New Diorama Theatre last year before a successful run at the Edinburgh Fringe and embarking on its current national tour, ‘After The Act’ has gone from strength to strength. However it somehow feels this is just the beginning for this poignant and powerful musical. Like those who bravely challenged Section 28, this show refuses to be silenced and its message still deeply resonates in 2024.
After The Act remains at HOME until Saturday 16 November 2024.
Note: My ticket was gifted. Irrespective of whether a show is gifted or bought, I always ensure that my reviews are fair and based on my honest opinion alone.