Swan Lake, first performed in the late 19th century, is the pinnacle of classic ballet. It tells the tragic tale of Prince Siegfried. Like most ballets, its narrative is relatively simple, allowing the dancing to do the talking. For those less familiar with the plot, the programme provides a helpful and concise synopsis for each of the four parts, allowing audience members to follow the story.
The most successful productions either adhere to the traditional approach, accompanied by lavish sets and elaborate costumes, or subvert expectations with a bold modern interpretation. Regrettably, Mergaliyev Classical Ballet's production embraces neither of these options.
It was a joy to experience Tchaikovsky’s iconic score played by a live orchestra, especially as some recent ballets haven’t had live music feature at all. However, despite the presence of the orchestra, the score itself felt oddly subdued, lacking the energy that usually brings this ballet to life. There were also several timing issues that detracted from the overall quality of the show. Had these things been tightened up, it would've really elevated the production.
The principal dancers are exceptionally talented and rightly deserve the spotlight as the stars of the performance. As Odette/Odile, Nilay Tahiroglu delivers a flawless performance, balancing vulnerability and deception. She is perfectly matched by Cristo Civancos Prunes as Siegfried and Marek Bobosik as Rothbart, who both delivered strong performances.
Regrettably, the supporting cast did not fully meet the high standards set by their lead performers. Ballet reaches its pinnacle when the ensemble is perfectly synchronized, with each movement mirrored across the stage. This is paramount in Swan Lake, where the corps de ballet is expected to embody swans with precision and grace. However, their movements were frequently out of sync with each other or not in time with the music. This may have been easier to forgive if their dancing conveyed greater emotion to move the story along.
Coupled with an uninspiring set design, these issues made this particular Swan Lake feel unpolished and missing the excitement of other productions.
Swan Lake remains at Manchester Opera House until Sunday, 19 January 2025.
Note: My ticket was gifted. Irrespective of whether a ticket is gifted or bought, I always ensure that my reviews are fair and based on my honest opinion alone.